![]() “It was an enchantment of new shapes that were very decorative and very different from what was in the environment.”Ĭartier had his designers spend hours studying and drawing the interlocking and interlacing forms, he noted. “The discovery of Islamic art was so new,” Rainero said in an interview. In addition, his brother Jacques traveled to India and Bahrain and brought inspirational objects back home. Cartier, grandson of house founder Louis- François Cartier , became an admirer and collector of Islamic artworks after expositions in Paris in 19 and Munich in 1910 that introduced the genre to a European audience. The lavish baubles are explicated by artwork and decorative objects from the Middle East, India, North Africa and Asia that resemble their shape and form, including paintings, pottery, manuscripts, architectural illustrations and textiles. The dimly lit exhibit is as dazzling as it is dense, spotlighting more than 130 pieces of glittering Cartier jewelry, handbags, cigarette cases, compacts and other items that largely date to the first half of the 20th century. ![]() “Since I joined the DMA in 2016, one of my goals has been to connect our museum with our diverse constituency and to provide our visitors the opportunity to see themselves represented here and learn about world cultures,” Arteaga said. The Dallas show was also inspired by the Keir Collection of Islamic Art, an esteemed assemblage of nearly 2,000 works that has been on long-term loan to the DMA since 2014. ![]() Cartier exhibitions, which draw heavily on jewelry, documents and other items from its own archive, are always curated by third-party professionals, Rainero noted.
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